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[W497.Ebook] Get Free Ebook English Literature: A Very Short Introduction, by Jonathan Bate

Get Free Ebook English Literature: A Very Short Introduction, by Jonathan Bate

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English Literature: A Very Short Introduction, by Jonathan Bate

English Literature: A Very Short Introduction, by Jonathan Bate



English Literature: A Very Short Introduction, by Jonathan Bate

Get Free Ebook English Literature: A Very Short Introduction, by Jonathan Bate

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English Literature: A Very Short Introduction, by Jonathan Bate

A renowned critic, biographer, and Shakespeare scholar, Jonathan Bate provides in this Very Short Introduction a lively and engaging overview of the literature that Jorge Luis Borges called "the richest in the world." From the medieval "Hymn of Caedmon" to George Orwell's "Why I Write," from Jane Austen to Ian McEwan, and from Winnie the Pooh to Dr. Johnson, this brilliant, compact survey stretches across the centuries, exploring the major literary forms (poetry, novel, drama, essay and more), the many histories and theories of the very idea of literature, and the role of writers in shaping English, British, and post-imperial identities. Bate illuminates the work of Chaucer, Shakespeare, Wordsworth, Dickens, and many other major figures of English literature. He looks at the Renaissance, Romanticism, and Modernism, at the birth of the novel and the Elizabethan invention of the idea of a national literature, and at the nature of writing itself. Ranging from children's literature to biography, this is an indispensable guide and an inspiration for anyone interested in England's magnificent literary heritage.

  • Sales Rank: #366660 in Books
  • Published on: 2010-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.30" h x .50" w x 6.80" l, .62 pounds
  • Binding: Paperback
  • 192 pages

Amazon.com Review

English Literature: Questions for Consideration and Discussion

  • What have been the key texts for creating our images of Britain? Jane Austen for our idea of village life, Dickens for London, Hardy for rural England...?
  • Do works of children’s literature date more quickly than adult ones?
  • Is it useful to make a distinction between “popular” literary genres--detective story, science fiction, spy thriller, chick lit--and the “literary” novel?
  • What should be the limits to our definition of literature? What sort of literary qualities can we find in non-fictional genres such as the essay, the travel book, the history book, even a work of political theory or natural history?
  • Is our sense of the role of poetry now confined to the private sphere (love poetry, nature poetry, the poetry of personal memory) whereas it used to be a more public form (political poetry, satire, war poetry)?
  • Is there a tension between seeing Shakespeare’s plays in performance and reading them as literature?
  • Review
    While exploring towering works, Bate remins us that literature can also be terrific fun. Christopher Hirst. The Independent

    About the Author

    Jonathan Bate is Professor of Shakespeare and Renaissance Literature at the University of Warwick. A best-selling author and an authority on Shakespeare, he is a Fellow of the British Academy and a Governor of the Royal Shakespeare Company.

    Most helpful customer reviews

    6 of 6 people found the following review helpful.
    Contextualising text
    By Jon Chambers
    There's a lot of ground to cover in Eng Lit: 'sweeping across two millennia and every literary genre', as the inside flap promises. For a while, it seems as though the need to cram everything in might be the book's undoing - even though at 167pp it's one of the longer Shorts. Such worries are premature: analysis comfortably outweighs potted literary history.

    For me, it isn't the chapter on Shakespeare (Bate's specialism) that forms the book's highlight, but the last two, on the novel and on multicultural English. In the first of these, the development of the 'stream of consciousness' in such novels as Ulysses and Orlando is considered in relation to recent work in brain science. As with The Genius of Shakespeare, therefore, Bate shows a willingness to look beyond the confines of his own subject in order to understand it more fully. And in his concluding chapter, entitled The Englishness of English Literature?, Bate examines a diversity that has characterised the literature of the British Isles since even the pre-modern, pre-mass immigration era, with its sharp political, religious and social divisions.

    Witty as well as thought-provoking, the book is itself literary (I noted homage to EM Forster and Blake, and doubtless missed other instances) in a way that will probably appeal to those who are 'in' without annoying those who aren't. It is also wide-ranging, up to date and perceptive (Coleridge and Hazlitt are seen as the originators of opposing 'formalist' and 'historicist' schools of criticism). With so much to commend it, we might even excuse its rather sniffy attitude to the on-line review - the 'free-for-all ... in which everyone is a critic'. Bate does, after all, concede that such electronic chat may just be an extension of the democratisation that began in the C18 coffee house.

    Ultimately, therefore, one of the more inspired and inspiring VSIs.

    0 of 0 people found the following review helpful.
    Interesting reading.
    By Rosemarie Snyder
    The author assumes a knowledge of English literature, while summarizing periods of English literature.
    I am not sure who the audience is supposed to be. It is interesting reading but not what I expected.

    0 of 0 people found the following review helpful.
    Splendid introduction
    By Charles R. Baker
    Sir Jonathan is brilliant. Do yourself a favor: read everything he has published, and take his classes on futurelearn.com

    See all 6 customer reviews...

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